Painting
the 4th dimension
Mississippi River landscapes program draws from beginners to pros
By Jon Kerr
Beauty is in the eye of the beholder, or perhaps everywhere on the Mississippi, if you ask
participants in a unique and little known arts program sponsored by the National Park
Service.
The Mississippi River Landscape Painting program under the direction of
part-time Ranger Richard Rock is in its third year of offering free opportunities--it is
carefully defined not as a class--to painters of all media and levels of experience. From
Hastings to Elk River, including three-hour sessions at places such as Daytons
Bluff, Harriet Island, Mendota and Minnehaha Park, the small groups gather to share
camaraderie and short historical backgroundings on the varied natural and manmade features
at each site.
I try to get people to realize this is not just a pretty place.
Things happened here, said Rock of his philosophy for the program. But we want
to get people down to the river recreating whatever way we can. This is one niche that I
dont think is filled anywhere else.
Any body of water seems to naturally attract artists, admits Rock. But the
river, and especially the diversity of the Twin Cities stretch of the Mississippi is a
special draw.
This stretch has such a mix of urban and natural landscapes that
artists always find themes, he said. Theres just a diversity of things
going on. ... And if the water goes over a falls the sound is an attraction.
Gathered on Nicollet Island near St. Anthony Falls on a sunny late May
day, about a dozen artists with styles seeming to range from paint by numbers to Picasso,
enjoy a cornucopia of visual and environmental choices. Easels and sketch-pads quickly
come out, with their owners jumping to work with watercolors, oils, or penciled sketches.
Some focus on fast-moving waters and mist rising over the limestone ledge
in front of them. Others take aim at the Post Office or other modern buildings lining the
opposite shore. Yet others are clearly attempting to respond to the challenge of Minnesota
Historical Society interpreter Dave Wiggins to think four dimensionally...think
about all the history thats flowed through here and see if you can put some of that
on canvas.
Art history is clearly also an inspiration to some.
The Impressionists painted the river, notes CeCeile Hartleib,
who has been painting professionally for seven years and like many Minnesota artists has
always found the Mississippi a source of inspiration. Its just center of life
and community. I guess thats what draws us.
Nearby, Wayne Howell is working on a painting of the Hennepin Avenue
Bridge. He has already done commissioned works on the old Hennepin Bridge, the Stone Arch
and other Mississippi trestles.
I just like bridges and rivers, he said simply. If you
went out in the country now itd just be all green. Here you get some real
color.
That same challenge is part of what draws Carolyn Wensman of White Bear
Lake, who has joined the program regularly for two years.
The river is a challenge. The scenes arent readily composed.
Theres so much and it can be hard to get the composition--like trying to get in the
spray today, she said. But its fun.
Female artists have especially been joining the program in increasing
numbers, notes Rock, crediting a sense of improved safety that has accompanied more
developed trails and access to the river. He hopes the program will continue to grow for
whatever reasons among all who enjoy the Mississippi.
Rock, himself a professional artist, never tires of painting varied river
scenes.
I like the vistas you get, as well as the neat historical stuff--the
old buildings and equipment, he said. We dont have ruined abbeys like
the English painters used to do. But we do have old grain elevators with lots of
interesting shapes and shades. ...I look at them and think of guys named Bob and Sven who
are saying, Geez, now I get to eat three meals a day. Isnt America
great?
To find out more about the Mississippi River Landscape Painting series call 651-290-4160, ext. 221.
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